MAAJO

TROPIC OF TULLI

Queen Nanny

QNLP001

MAAJO

TROPIC OF TULLI

Queen Nanny

QNLP001

QNLP001
ARTIST
MAAJO
TITLE
TROPIC OF TULLI
LABEL
Queen Nanny
CAT NO.
QNLP001
FORMAT
2 x 12"
RELEASE DATE
  • 30/08/2019 [REPRESS]
TERRITORY
WORLDWIDE
GENRE
Afrobeat Deep House Nu Disco
FEATURING
Maajo
ASSETS
MISC.
GATEFOLD SLEEVE

TRACK LISTING

play all

  1. A1 - Kaba
  2. A2 - Tum'Pi
  3. A3 - Makkara
  4. B1 - Musa Paradisa
  5. B2 - Okudu
  6. B3 - Fode
  7. C1 - Kofi Obu
  8. C2 - Darkness Is Good
  9. D1 - A O O
  10. D2 - Maajo

SALES NOTES

Maajo stands for May. The month of excitement and expectation of imminent joy. A time of hope following weeks and months of rain and cold. The time that best encapsulates escapism, those wistful, delightful daydreams. A time when you release yourself from everyday routine and already begin to live in the holiday that hasn’t yet arrived. A place that might not even exist. Let it be a warm, a joyous place, a fuzzy bricolage you witness after passing out while watching a David Attenborough documentary. Outlandish and romantic ideas of distant cultures. Maajo is motion, movement from one place to another. It is moving without travelling, dream and dance.

Maajo is a musical continuation of the similarly titled 12” single by Herman Prime, the producer’s idea expanded to a five member band. The music is the product of a mixed technique where vocal samples and programmed synthesizers coalesce with fingerplucked guitars and handheld percussion. Beneath everything run several strong currents of inspiration: an obsession with balearic disco, deep tribal roots, a love of eighties afropop, lessons from minimalist composers and a desire to just dub it up.

Tropic of Tulli is not a direct flight but a meandering journey. Starting beside a flowing river, Kaba sends us on our way with a gentle arrangement of kalimba and a Mandinga poem. Two midtempo groovers, Tum’pi and Makkara, set an expectant mood. Musa Paradisa lands on a tropical island with plentiful percussion and a clatter of mallets. The party starts with the fervent afrodisco number Okudu. There is a strange detour to an urban cityscape with Fode’s meandering bass line and street drummer for company. The path leads to a dark rainforest, both menacing and inviting, following Kofi Obu’s feverish vocal and desertic guitar riff. Darkness is Good is a bout of afrocosmic exploration. A.O.O. offers a final chance for a sunrise dance before the beautiful balearic theme Maajo closes the album with an intoxicated smile.

Published: 7th October 2016

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