Sasha continues his current hot streak with a new single on Last Night On Earth alongside Jody Barr, with a killer Einmuisk Remix on the flip.

Pioneering electronic force Sasha has found plenty of success in recent creative partnerships. The Last Night On Earth founder has worked with the likes of Super Flu and Sentre and dropped a steady stream of fresh solo sounds such as 'Florian Drift' and 'How to Wear Raybans Well'. All this means he continues to lead the melodic house and techno scene from the front with expertly crafted sounds. Here, he works with Jody Barr who has long been close to this label having also established himself with music on Krankbrother, Configurations Of Self and Nofitstate. He heads up Portable Minds and is renowned for his rugged, hardware-centric sound.

'Phaxon' is a beautifully elegant affair with shimmering chords rising and falling over a serene electronic groove. It's packed with smart sound design and subtle touches that make it glow from start to finish as the emotions build and sweep you up into a delightful dance floor reverie.

Hamburg's Einmusik has a cultured techno sound that has lit up his own self-titled label as well as the likes of Diynamic and Sincopat. His version is more rugged with a darker feel thanks to the rasping bassline that rumbles below. There is still plenty of great chord work but the whole track is a little more direct for poignant club deployment.

William Kiss lands on Rekids with the ‘The Beat’ EP this November, hot on the heels of a remix for Mathias Kaden’s ‘Circulate’ EP on the label in September.

The A-side starts with title track ‘The Beat’, bodied toms footing the rhythm while high-pitched percussion keeps an irresistible groove above. With an expertly sampled, playful vocal, Kiss’ ‘The Beat’ is another unmistakable club hit that will effortlessly find its way into the peak time. The B-side hosts ‘Midnight Club’, which features more organic drums mixed with a classic House vocal and zippy strobe-light-inducing synths, closing out William Kiss’ debut on Radio Slave’s flagship label in his signature drummy style.

Having won support from Laurent Garnier, HAAi, Call Super, Robert Hood, and more, William Kiss has been going from strength to strength. He previously appeared on Radio Slave’s labels via his ‘Clap For Me’ EP on Rekids sibling label RSPX, with further releases on labels like GUDU, Bush Records and Three Six Zero alongside the launch of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenue.

Damian Lazarus returns to Crosstown Rebels with new single ‘Sunrise Generation’, featuring Fink. Including a remix from Norwegian talent and up-and-coming Crosstown family member Meera, the single marks Lazarus’ first material on his iconic label in over a year.

Visionary DJ/producer and Crosstown Rebels founder, Damian Lazarus, makes his long-awaited return to the label with his new single ‘Sunrise Generation’, featuring the voice of acclaimed and celebrated singer-songwriter Fink. Set for release on 8th November 2024, the highly anticipated production marks Damian’s first material on Crosstown since his collaboration ‘Revolution’ with Dennis Cruz in October 2023, his Grammy-nominated single ‘Don’t Be Afraid’ with Diplo & Jungle, and his first solo release since his ‘Beijing Spring’ project on sub-label Secret Teachings in April 2022.

An emotive, captivating and uplifting track, ‘Sunrise Generation’ is not just a return to form but a heartfelt homage that celebrates the magical moment and euphoric energy of sunrise.

The release also features a return for Norway’s Meera, an exciting artist whose recent outing on Crosstown Rebels with her ‘Stikk’ EP made notable waves, building on her debut on sister label Rebellion last year in style. Her remix brings fresh energy, layering deep textures and rhythms over Fink’s haunting and heavily processed vocals to create a stirring counterpart to the original.
A sonic celebration of unity and renewal, ‘Sunrise Generation’ once again affirms Lazarus’ status as a true leader within the electronic scene. The single follows a series of high-profile remixes, including reinterpretations of tracks from Josh Wink, Jamie Jones, Bedouin, Totally Enormous Extinct Dinosaurs (TEED), and Made By Pete, along with his acclaimed collaboration ‘Don’t Be Afraid’ with Diplo and Jungle. As always, Lazarus’ ability to craft atmospheric, emotion-driven soundscapes shines through here as he continues to innovate and inspire with another cherished anthem crafted for special dancefloor moments.

Underground house heavyweight **Enzo Siragusa** is back with a fresh offering, his highly anticipated new EP *Odyssey*, set to drop on **fabric Originals** this month. This marks another standout release for Siragusa, coming hot on the heels of his recent contribution, "Last E," to the *fabric Selects V* compilation, which landed earlier in October.

*Odyssey* features three meticulously crafted tracks that showcase Siragusa’s signature fusion of classic rave elements, deep grooves, and stripped-back house aesthetics. The title track "Odyssey" is a masterclass in his deep production style, while "95 Variant" leans into the artists UK influences. Perhaps the standout cut is "Listen," a nod to the golden era of speed garage, effortlessly blending bass-driven energy with Siragusa’s refined touch.

The EP is a natural evolution of Siragusa’s sound, one that continues to command respect across the underground scene. Known for his ability to channel a range of UK rave influences while remaining firmly forward-thinking, Siragusa’s work is consistently pushing the boundaries of what modern house music can achieve.

In support of the release, Siragusa will be returning to fabric with Enzo Siragusa Invites, where he’ll take control of the decks alongside a curated selection of top-tier talent. The event is set to be a fitting celebration of the new EP and promises to be an essential date in the London clubbing calendar.

The Odyssey EP will be available on all platforms via fabric Originals on Novmber 1st, cementing Enzo Siragusa's long-standing relationship with one of the most iconic institutions in dance music.

_NRV returns with a new EP from Miller. A regular at DC-10 Ibiza and Fabric in London, Miller continues to impress with his dynamic range and deep understanding of the dancefloor.

A1, "Liquid Realm," echoes the pulse of early 2000s Nubreaks with driving breakbeats and a modern twist, delivering a track that will resonate with nostalgic fans and new listeners alike.

B1, "Hydrate," shifts gears into a sleek, futuristic soundscape. Crisp percussion, deep ocean melodies, and a groove-driven bassline create an engaging play between tension and release, pulling the listener in deeper.

B2, "There Are Tribes Out There," transports us to a primal, rhythmic space. The subtle mix of organic influences and modern production distances the track from easy categorization.

Miller's ability to flow between styles and genres while pushing sonic boundaries is on full display.

Seth Troxler’s Slacker 85 imprint prepares to expand its repertoire of ne’er do wells and inspired outsiders, with two new singles shining a flashlight on talent at the characteristically esoteric producers on the fringes of Troxler’s always increasing circles.

American-Ecuadorian sound engineer and musician Andre Salmon has already left his fingerprints on underground dance music’s global scene, developing the current iteration of Inner City with Kevin Saunderson, as well as collaborating with house icons Paul Johnson and K’Alexi Shelby. Having already made a fixture of his supremely effective  ‘Heartless’ mashup of Saint Etienne’s classic ‘Only Love Can Break Your Heart’, Slacker now welcomes Salmon to the family to exercise his studio technique and ‘sacred resonance’ deepness. The result is ‘La Mano de Dios’, a voluminous dance on the edge of house and techno, as smooth and impressive as the jets descending above the Terrace at DC10.

From Detroit to the East Coast, TB-203 delivers a contrasting energy on ‘Movin’. A fresh alias of NYC DJ, producer & label owner Tommy Bones, this bubbling, raw acid workout finds fresh heat at the intersection of jackin’ hip house and latin freestyle, driven by loose and lively vocals from DannyP. Underscoring Slacker 85’s commitment to party over posture, ‘Movin’ has been tried and tested to deliver on its old-school promise.

The five-track ‘Touch The Vibe’ EP is the latest gem in the evergreen treasure trove of music from Australia’s CC:DISCO!. 'Feel It Peak' opens the release with two escapist minutes of slow-burning, gentle synth waves and Spanish guitar before 'Touch The Vibe' then takes off on warm analogue house drums with sugary chords and a classic bassline that bounces along at an infectious pace. Toronto-born DJ, producer and vocalist Jennifer Loveless also returns in fine form, providing heady spoken word vocals that wash over both cuts in an intoxicating fashion.

On the flip, 'Like This' is another absorbing and cinematic synth interlude while 'Me Gusta Is Dead (Period Pain Mix)' brings heavy late-night vibes with its punchy steel drums, fizzing pads and crunchy chords that make for a wild ride. Last but not least is the epic closer 'Yes Papi (Miami Daddy Theme)’, a glorious blend of prog, trance and techno with a 90s throwback feel featuring Loveless’ hushed vocals that showcases CC’s expert command of lower tempo, pumping grooves of the highest calibre.

Fresh off performances at Glastonbury and Love International, plus her debut Essential Mix for BBC Radio 1, it’s safe to say CC:DISCO!’s trajectory as an artist has risen to new heights in 2024. The Lisbon-based DJ, producer, radio host, and curator added a new string to her bow at the end of last year with the launch of her Miami Daddy imprint, which garnered critical acclaim from the likes of Resident Advisor, DJ Mag, and BBC Radio 1.

CC:DISCO! ‘Yes Papi (Miami Daddy Theme)’ and ‘Touch The Vibe’ drop via Miami Daddy on 21st September and 24th October, respectively, with the full EP releasing on 22nd November 2024.

“The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances,” says Enrico. “The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we're all... interconnected.”

As a producer Enrico Sangiuliano has done it all, from remixes of classics to chart topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds and after 'Can U Feel It' explored the connection between auditory perception and physical sensations with fresh and emotive rave sounds, this new sound impresses once more.

The brilliant 'Interconnection' is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure as trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark and a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level.

Enrico Sangiuliano's Interconnection EP is another essential work from this revered talent.

"her wittiest and most biting" - DJ Magazine
“raving under surveillance capitalism” - Pitchfork (8.1)
"funny and wonderfully weird." - Bandcamp (Album of the day)
"reaches new heights" - CLASH 8/10
“packed with party-ready bangers” - The Quietus (Album of the week)
“takes on the big room to take down big tech.” - Resident Advisor (RA Recommends)
“a rallying call for a more humane digital future.” - The Skinny ****

Marie Davidson’s album City Of Clowns, effortlessly weaves through crunching techno straight out of 90s Detroit, fired-up circuitboard breakbeats, and skewed club cuts - a body of work which continues the use of her music as a tool to navigate her place in the world, as an artist, as a woman, and as an entertainer. As high concept as it is open-hearted, she pushes the boundaries of electronic music to digest the most urgent questions of our time – and the result is disarmingly human.

“Contrarian" is an all-out onslaught of raw circuitry and electronics and might just be one of Davidson’s finest club cuts to date.

Limited to 500 copies

dBridge - "So here we have it: the final plate of the Exit 100 series. I’ve been immensely proud of this project, and I believe this release is a fitting way to conclude it. We’ve curated a collection full of great music from artists I love, and I’m pleased that we’ve created a project that represents Exit’s future rather than its past."

UK-based DJ and producer Wallace debuts on Phantasy Sound with an irresistible double A-side single, ‘Cravings (ft. Love Letters) / Concourse.’ Bubbling with sensuality and euphoria, both tracks reinforce Wallace’s burgeoning reputation as one of electronic music’s most impressive new voices, a crowning moment on Erol Alkan’s long-running label following a stellar run of singles for imprints including Cooking With Palms Trax, Rhythm Section, and Moxie's much-loved On Loop.

Led by a longing, inquisitive performance from vocalist and underground house music luminary, Love Letters, ‘Cravings’ builds from a simple throbbing bass line to an eruption of lyrical and musical joy. Exploring onset desire – risk, uncertainty, and ultimately, reward – Wallace’s deep and celebratory arrangement interweaves with Love Letters’ queer perspective to deliver universal satisfaction.

While ‘Cravings’ looks inward to find release, ‘Concourse’ goes for the jugular with a darker, more epic sensibility than Wallace has previously indulged. His flawless production touch seamlessly gifts magic to a widescreen techno epic that might not sound out of place on the terrace at Circoloco or else a field near early-nineties Frankfurt, repeatedly working his acid-oriented machines into a lather and conjuring cosmic drama from eerie, choral voices beneath a powerful groove.

Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity.

It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving.

Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties.

The tone set, the EP moves through ultra-rarefied glass-like percussion in an almost ambient setting, hints of grime’s counterintuitive patterns, and even more hectic patterns influenced by Tanzania’s hyperspeed singeli style of dance music – but always with that perfect balance of chaos and control, unpredictability and protection. It rewards playing and replaying endlessly, it’s a profound and often joyous experience… and it’s only just the beginning. This is the return of a master craftsperson more focused than ever on his vision and vocation and ready to blow your mind all over again.

Mastered and cut on 140g black vinyl by legendary mastering engineer Matt Colton at Metropolis Studios, London. Pressed at optimal media, Germany.

CWPT welcomes Acopia to the label with a reissue of the cult Australian bands self-titled sophomore album, available on vinyl outside of Australia for the first time.

Based in Melbourne/Naarm, Acopia’s music is a careful control of tension and release, sparseness and warmth, momentum, and space. Across ten tracks, the band’s three members move across post-punk lamentation, shoegazing DnB, smoldering trip hop and subdued electronic pop, as they carve out their own hazy world of romanticism and restraint.

The highly anticipated follow-up to the band’s stellar 2022 debut, ‘Chances’, this is a deeply emotionally sensitive record, equal parts refined and relatable, and a listening journey that is immediately understood while revealing new layers with each subsequent listen.

Alongside the physical release of ‘Acopia’, CWPT will also release two digital-only remixes of the band, courtesy of Daniel Avery and JD Twitch.

Another deep dive into the Steve Pickton DAT archive brings us this gem from the golden age of UK Techno. Not previously credited as a Stasis outing this 4 track EP was originally released in 1995 as a limited run white label and stamped Sugar Plum (with Fat Boy Funk etched into the run out groove).

Each track builds with Steve’s signature Detroit inspired beats and chunky bass lines and those trademark ethereal pads eventually release the tension. Raw and powerful these are classic machine edged productions from a UK Techno pioneer.

Remastered by Simon Davey at The Exchange

Artist, producer, DJ and cultural trailblazer Peggy Gou returns with her latest single “Find The Way” on Gudu Records.

The first new track since the release of her debut album I Hear You, this latest single builds on her recent sonic terrain. Making a midsummer bid for song of the season, on “Find The Way” Gou addictively blends her featherlight breezy vocals with a balmy, technicolour 90s house beat lush with mellow keys, acid tinged synths and hypnotic basslines.

2024 has been a huge year for Gou already with the release of her hotly-anticipated debut album I Hear You on XL Recordings in June. Alongside glowing reviews from The Observer, NME, The Line of Best Fit and more, she’s also graced the covers of Billboard (US), Vogue Germany and L’Officiel Italia. A huge year for her in the live arena too, having played to over a million people in 2023, 2024 has seen a string of high-profile appearances at the likes of the Coachella, Ultra, EDC and Primavera festivals alongside a headline slot on Glastonbury’s Park Stage.

Peggy Gou’s Gudu Records is proud to present the label’s first ever album, from someone who’s been part of the family since the start: Brain de Palma.

Born in Ukraine, settling as a child in Turin and spending three years in Egypt before settling in his current home of Berlin, Alexei Versino has one hell of a story.

Musically, he’s been around for a decade now, releasing his previous music (solo as Panama Keys, and also as one half of the duo Stump Valley) on labels like Dekmantel, Soul Clap and Off Minor, before settling on Gudu with his Brain de Palma alias. But personally, his relationship to music goes much deeper: as a young child growing up in the former Soviet Union, a lot of European music was banned, so he relied on his well-travelled uncle to bring him back smuggled cassettes of Italo Disco, Depeche Mode, Kraftwerk, Erasure and early DJ mixes – getting an illicit musical education behind closed doors as a child.

He still carries that underground mindset to this day: the press release for his last Gudu EP, Purple Brain, reads: “dedicated to all the ravers, DJs, aficionados who had to go through the lockdowns … a shout out to people who keep on fighting for the underground culture!”. The perfect candidate for Gudu’s first album, then.

Comprising eleven tracks made across the past year, Versino describes Rhythmption as “my redemption through rhythm”, and a tribute to “seeing people enjoying themselves on the dancefloor, that feeling of unity where people become one thing, regardless of their life path or social status.” Opening with the gorgeous ‘Thandolwami’ (featuring South African vocalist Sfiso Atomza), Rhythmption charts a path through sun-drenched Balearic house, stuttering drum work-outs, Italo-inspired synth romps, trancey house and even a touching tribute to his former home of Egypt, taking in every aspect of Versino’s journey to date. After all, it’s not all about the destination, it’s also the sights you see along the way.

Miso Records are excited to present a very limited edition re-press of Charles Webster's classic 2001 album ' Born on the 24th of July ' .

Originally released on Peacefrog Records, this album still retains it's sonic and lyrical relevance after 20 years.

Charles released his very successful new artist album Decision Time in 2020 at the height of lockdown, so we figured it was time to make his first 'solo' album available once again, this time on lovely orange vinyl.

Born on the 24th of July features vocalists, Terra Deva, Steve Edwards, Sara Jay amongst many other special guests.