Tiger Stripes returns to Rekids with the ‘All Night Long’ EP. It follows up his 2024 hit ‘I Heard It Through The Bassline’ EP on the label. Tiger Stripes appears on Radio Slave’s Rekids for the second time, following up his ‘I Heard It Through The Bassline’ EP with the ‘All Night Long’ EP this February. For title track ‘All Night Long’, an anthemic vocal calls to action as infectious sub-bass drives a snappy groove. It’s the kind of House Tiger Stripes does best, with follow-up ‘Goddess’ chugging along with deeper low-end while effective sampling breaks up the arrangement throughout.

Strange Idols’ Tiger Stripes is a prolific producer, remixer, and DJ active since the early 2000s. He’s collaborated with artists like Kerri Chandler and Jerome Sydenham and released music via heavyweight underground imprints, including Hot Creations, Get Physical, and Rekids, where his ‘I Heard It Through The Bassline’ EP won support from artists like Solomun, Laurent Garnier, Seth Troxler, Honey Dijon, HAAi, and more.

Celebrating over ten years in the game, Seth Troxler and The Martinez Brothers' carefully cultivated Tuskegee Music imprint returns with a deeply rooted collaboration between West Coast-based talents Late Delivery and BL SUEDE. Reinterpreting a club classic from Sheila E. and Prince, blending soul, deep tech house and freestyle influences at 130 bpm, ‘Glam Life’ lives up to the prosperous vibe of its title.

Originally from Washington D.C. and New Orleans respectively, Late Delivery have been refining their shared love of house culture since meeting in 2008. Collaborating with Inglewood, CA raised producer and vocalist BL SUEDE, this ode to a iconic time in Black music culture is imbued with the same sense of musicality, with BL’s fluid vocals in a heavenly posture amid joyous horns and irresistible percussion.”

Kenny Glasgow’s smooth, restrained take presents a champagne room mirror perspective on this particular ‘Glamorous Life’, with the former Art Department man and US rave scene lifer tapping directly into sensual, minimal pleasure. Afriqua meanwhile takes BL SUEDE's versatile vocals in a bright, diverse direction, conjuring fresh elements from an archive of breaks and bubbling basslines, landing between modern Amapiano and vintage EBM.

Damian Lazarus uncovers ‘SPIRITS VII’, the seventh chapter of Crosstown Rebels’ visionary annual compilation series. The eight-track package sees the Crosstown Rebels founder curate another stellar lineup of emerging and established talent for the latest instalment of the ongoing highly acclaimed series.

Since its debut in 2017, Damian Lazarus’ SPIRITS series has become a definitive platform for rising stars and established talent pushing cutting-edge sounds, consistently setting the tone for the year ahead. With the release of ‘SPIRITS VII’ this February, Crosstown Rebels continues its tradition of curating groundbreaking talent, delivering an impressive collection of tracks from both new and returning names. Building on the momentum of previous volumes, the eight-tracker offers an expertly crafted selection of deep grooves, hypnotic rhythms, and forward-thinking productions - providing a glimpse into the future of house and techno while staying true to the genre’s roots.

Opening the release, US-based duo Lisbona Sisters present ‘OK GURL’, a trippy and warping track with their original vocals that sets an otherworldly tone. Next, Netherlands-based SHARE follows releases on Mobilee and Abracadabra with ‘Oh Please…’, an acid-led cut with hooky vocals from Def Eff that leave a lasting impression. Next, Bonafique, part of the Maccabi House family, infuse ‘Desperadio’ with signature Middle Eastern influences and organic, rhythmic drums, while Dino Lenny delivers ‘I Have Sampled Father’, a playful yet off-kilter cut loaded with a kaleidoscope of diverse elements balanced by captivating grooves.

The journey continues with Upercent’s ‘Where Are You’, a dynamic composition characterised by soaring synths, sharp drums, and heavy bass licks. Collaborating on ‘Le Tourbillon’, Timo Maas & Inámo craft a hypnotic blend of grooves and sweeping melodies, perfect for late-hour moments. Recorded in his Ibiza studio, John Monkman energises the collection with ‘Colours’, a track brimming with intricate synth work, standout vocals, and dynamic sound design, before Enamour closes with ‘Jackpot’, a dreamy and hazy masterpiece featuring colourful sonics and enchanting soundscapes.

With its distinct ability to uncover hidden gems and elevate them to global recognition, Crosstown Rebels remains a leading force, and this latest edition of SPIRITS proves precisely why it remains at the forefront of the global electronic scene as one of its most vital imprints.

Following a string of successful releases and performances at some of the electronic world’s most revered underground venues, Italian DJ and producer Matisa returns with her captivating new single, '1234 Bisous', out now.

With sultry vocals and classy tech-house sensibilities, this deep, rolling cut is primed for the dancefloor. Nodding to Matisa’s love for euphoric, nostalgia-inducing rhythms, shimmering acid and piano-laced sounds, the gorgeous single offers a glimpse into her forthcoming mini-LP, ‘In My Head’ due for release on 31 January 2025.

'1234 Bisous' carries the same bold energy that has solidified her place in the scene while introducing a more introspective and emotional depth to her sound; a deeply personal track that encapsulates the bittersweet emotions of fleeting love and the unexpected start of a new romance.

“Un deux trois quatre bisous, I was keeping just for you, But then I wake up in a boom, Just a lad lays in my room”.

"This track captures the bittersweet end of a significant love story as a new one begins. It’s not your typical love-at-first-sight scenario… It took a solid five minutes for that spark to ignite and that undeniable feeling to hit." – Matisa

Known for her uplifting, radiant house selections and productions, Matisa's music carries a distinct energy—shimmering with bold rhythms and acid-driven sounds that draw from 90s rave culture and global club scenes. Her versatility behind the decks not has also made her a standout at world-renowned venues such as Berghain | Panorama Bar, fabric, and Circoloco, where she consistently delivers unforgettable sets.

With past releases on respected labels like Gudu Records, Butter Sessions, On Loop, and Optimo, Matisa’s upcoming mini album marks a major milestone for Matisa, as she showcases an ever-evolving sound and her remarkable production prowess, seamlessly blending both nostalgic elements with futuristic sounds and a raver’s spirit.

Rising HABITAT mainstay Sideral returns with "I Give You," a two-track EP showcasing his evolution to a standout solo artist. The title track blends ethereal vocals with meditative calm and bursts of chaos, while "Need More" explores raw, underground techno. Already a highlight at HABITAT shows in New York, Amsterdam, and Paris, this release solidifies Sideral’s role in electronic music’s next wave.

Aphelion Recordings marks its 30th anniversary with the release of a long-awaited EP featuring the iconic track Arrest and remixes by techno legends

Zugzwang's debut EP was released in 1995 on their own Aphelion Recordings, sounding like an instant classic. Four tracks of fully formed ambient techno: deep, immersive and richly textured. Despite being hitherto unknown, this music held its own against the best of its peers: Aphex Twin, Boards of Canada, etc. With original copies changing hands for over £250, it is today recognised as an iconic, timeless piece of British electronica. The heart-stoppingly beautiful Euphonic was recently included in arbiters of good taste Ivan Smagghe and Ivan Ivkovic's IDMEMO compilation.

Zugzwang, also working under the aliases Aphelion and Replicant, went on to become electronic cult heroes. They released on Worm Interface and Ambient Soho Records and were featured on the celebrated ALT Frequencies compilation alongside artists like Gescom and Autechre. They were on the cusp of signing a deal with Jeff Mills Axis Recordings, and Tom Middleton once called the family landline to wax lyrical about their work.

Now, 30 years after APH001, Aphelion Recordings is proud to announce APH003. This is both a vital historical document and a forward-looking statement of intent. This new EP revives the legendary Arrest track in its original form, sounding as timeless as it did in 1995. Alongside the original mix, the EP features three killer remixes by some of electronic music's most celebrated figures: Nuron, Voyance (Ben Sims & Nick Dunton), and Mike Golding of B12.

Mark Broom drops the fifth volume of ‘Mutated Battle Breaks’.

Mark Broom’s ‘Mutated Battle Breaks’ series on Radio Slave’s Rekids Special Projects dates back to 2021; since then, he’s released four volumes, with its next chapter arriving to mark the label’s first EP of 2025. Each ‘Mutated Battle Breaks’ EP consists of an extended runtime of eight tracks, supported by the likes of Robert Hood, Ben UFO, I.Jordan, Pariah, Carista, Mumdance, Lauren Flax, and many more.

Across volume 5 of ‘Mutated Battle Breaks’, Mark Broom primes eight more dancefloor-ready cuts complete with rugged grooves, punchy stabs, and wild Techno sequences. From the opener ‘Romance’ and its frenzied arrangement, through to the rolling bleep-infused ‘Ranger’, Broom once again shows his mastery of rhythm and the breath of his Techno productions - one thing is certain: he continues to be one of the most significant producers in Techno after more than three decades.

Techno, House, and rave, Mark Broom is one of UK dance music’s legends and has a myriad of production credits to his name dating back to 1989. Warp, M-Plant, Hardgroove, and his own Pure Plastic and Beardman imprints are just a handful of the labels he’s worked with, while studio collaborations with the likes of Baby Ford and James Ruskin have cemented his reputation as a storied and vital part of electronic music culture.

The prolific, virtuosic original Bjarki Sigurðarson returns to the concept album format, with ‘A Guide To Hellthier Lifestyle’. It’s the first LP to be released on Differance.

‘A Guide To Hellthier Lifestyle’ explores the psychological landscape of contemporary social issues, offering a sideways rumination on lifestyle dilemmas and wellness obsessions, presenting itself as a response to the modern condition. It combines storytelling with innovative sound textures – encouraging listeners to pause and contemplate the absurdities of contemporary life. Neither a critique nor an endorsement, it represents an honest exploration of our world through Bjarki’s sonic lens, gleaming a heart of darkness, but eventually finding light.

The album utilises hyper-stereo techniques, soothing melodies, complex audio structures, AIgenerated voices and sampled vocals – influenced by Coil, Genesis P- Orridge, and Paul Lansky. Bjarki investigates how specific frequencies can impact consciousness, awareness, mood, and mental state, thereby influencing our perception of reality. His vaporous sound design provides a listening experience that bridges the physical and imaginative realms; sometimes placing the listener in contemplative sanctuary, and at others making them lost – somewhere strange, uneasy, disconnected.

Bjarki on his Guide To Hellthier Lifestyle

“This new album has been two years in the works. It’s sort of my take on all the social weirdness and wellness obsessions happening right now. It kicked off with a track I started in California – the story of a soul that got born into the wrong womb. During that time, I was noticing more and more of this whole ‘wellness religion’ everywhere – people trying to sell you ‘good vibes’ and random people offering you life coaching sessions on Instagram who maybe have less life experience than a houseplant. All these apps that track our every move; it’s like they’re repackaging control and calling it ‘self care’. Capitalism in yoga pants. Thats when I started putting ‘A Guide To Hellthier Lifestyle’ concept together. A never ending, self improvement rabbit hole. We are all being sold this idea that we are not quite enough and we need to buy our way out to being better.

At one point, I took a break from the album and started working on another album full of satirical speeches, AI generated voices, where I create my own voices and type in some ideas of speeches, taking the piss out of wellness gurus and life coaches. I messed a lot with these AI voice generators, creating these deep, faux serious monologues. Proper weird stuff, but it cracked me up. Reminded me of the early days, when I was 13, making tracks on Fruity Loops, mucking around with text-to- speech generators. After the break I came back to finish ‘The Guide’ on a much deeper level.

I moved part of my studio to Latvia and continued in the countryside for few months. I realised that I just wanted something beautiful. So, yeah, this album is all of that. It’s spiritual, bits and pieces from the past, all these weird cultural moments, and whatever strange places my head goes. It’s a reflection, a rebellion, a bit of a piss take. But mostly, it’s just me, doing what I do.” - Duncan Clark

The album will be released only in its entirety, December 13th digi, with no advance singles.

Rich in melody and instantly classic in feel, Luca dell’Orso debuts on CWPT with an extended EP of lush Italo, sensitively summoned from the Netherlands. Having impressed with previous releases on labels including Bordello A Paligiaria and Red Laser Records, these six tracks demonstrate a delicate approach to his studio, flitting between pop songwriting and analog experimentation.

From the soft fanfare that announces ‘Solitair & Solidair,’ ‘Actors’ establishes a confident groove that gently pushes an Alfa Romeo pedal toward Balearic ecstasy. On the instantaneous lead single ‘Dear Rosie,’ dell’Orso blends the signature palette of the vintage Yamaha-X7 synthesizer with longing vocals from collaborator Jolisa. A paean to a special person from a distant past, ‘Dear Rosie’ is blessed with a wistful melody befitting an Eric Rohmer classic, a musical postcard of a treasured connection. From wistful midsummer memories, dell’Orso easily transports listeners to another season entirely with ‘Winter Scent’, a deep meditation reflecting the artist’s walks in the few hours of available sunlight, thoughts beautifully vocoded beneath a heavy sonic layer.

Out of this lavish gloom blossoms the inevitable sound of spring on the driving, optimistic ‘Love by Association’; an enduring recipe of distinct drums and pitch-shifting synthesis, frozen in time for frenetic Eurodisco dancefloors. On ‘Propaganda’, dell’Orso offers a more forceful take on the same instincts, skipping inner-Schengen borders to simmer via industrially-tinted pleasures as revealed in Dusseldorf, 1984. For a sublime finale, ‘This Time (Things Will Be Different)’ takes to the piano, where Luca dell’Orso finds space to demonstrate the elegant minimalism that easily coexists alongside his timeless energy.

Mimose, Parra for Cuva’s fourth studio album, was released in spring 2024. The album continues the musicians avid exploration of sound in a surprising and sensitive journey that unites haunting vocals, choir-singing, groovy basslines, trance-inducing shakers and many exciting collaborations. This limited re-press comes on transparent green and yellow splatter vinyl!

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

Classic original version cut loud on each side.

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.

Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.

Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted.

In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.

As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

Grammy Award winner Louie Vega has the unique ability to spotlight and highlight the most essential elements of classic dance tracks and remix and recreate them to create something just as powerful for today’s audiences. Currently in the midst of putting the finishing touches on his forthcoming album, Expansions In The NYC, Louie took some extra time to gather together the original members of the seminal New York – based disco funk band Unlimited Touch and collaborate with them at Log Cabin Studio in Manhattan and his own Daddy’s Workshop Studio in New Jersey to produce the 2020 edition of “I Hear Music In The Streets.”

Unlimited Touch consists of Audrey Wheeler (lead singer), Phil Hamilton, Tony Cintron, Sandy Anderson (RIP), Stephanie James and Lenny Underwood. “I Hear Music In The Streets” was originally released on legendary imprint Prelude Records in 1981.

Growing up in the Bronx, from an early age Louie had an affinity and love for all the various musical genres that were bubbling up in New York during that era defining creative period. It is that passion that has stayed with him during a career that has brought him Grammy’s, several worldwide hit records, and a status as one of the world’s most sought after DJs. It was especially fulfilling for Louie to work with the original members of Unlimited Touch, He quickly realized that their talents were still as strong as ever as they performed musical and vocal elements from the original song, and that they had the vision to see how the song could be re-energized by having Louie add his unique production elements to this seminal tune.

Louie is in the midst of an especially prolific and productive period. In 2016 he released the Grammy nominated Louie Vega Starring….XXVIII full length album; 2018 saw the release of the widely acclaimed and chart topping NYC Disco 2 X CD and 4 X vinyl album on Nervous Records. Known universally as “The Maestro” due to the standards of excellence he maintains in his productions, DJ Performances and live appearances with his Elements of Life Band, Louie Vega is now ready to unleash another gem to add to one of the music industry’s most remarkable body of work.

Sublime deep House of the highest order from New Jersey’s very own Kerri “Kaoz 6:23” Chandler

“The Mood EP” is pure quality from start to finish & is one of Chandler’s lesser spotted releases that is undoubtedly a classic

Released on the legendary Nervous label in 1998 it still stands head & shoulders above most other releases of the time

Fresh, essential & lovingly re-mastered & reissued for 2014

Maceo Plex teams up with Gabriel Ananda to deliver the momentous 'Solitary Daze'. An awe-inspiring piece of music; Maceo and Gabriel have pulled out all the stops in creating this anthemic masterpiece. A sure fire dancefloor destroyer! The original is also deftly remixed by Barnt and by North Lake.

The A Side features North Lake’s infectious deeper remix whilst the flip features Barnt’s epic revision of the original. Both of which create fantastic versions of the original version, taking it off into new stratospheres. Another great single from Ellum, who seem to be going from strength to strength.

Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering the best house music previously unavailable on vinyl, and this nineteenth edition collates four unmissable releases from 2023’s incredible summer season. Opening the compilation, British house favourite Jansons delivers old skool vibes with ‘Hypnotic’, championed by 90s hip-hop and RnB inspired vocal vocals courtesy of Dope Earth Alien. Next up, LP Giobbi’s long-awaited Defected debut came in the form of ‘Giodisco’, a joyful, vibrant club cut that showcased the live musician and producer’s disco-adjacent sound. On the B-Side, the First Lady of Defected Sam Divine presents her long-awaited dancefloor release ‘Take My Hand’ featuring Josh Barry on vocals. After teasing the track for nearly a year in her live sets, the heavenly house release did not disappoint. Closing out this esteemed collection is the addictive collaboration between Parisian underground favourites and London singer-songwriter Camden Cox, ‘Lady Love’, which dominated the summer season with its undeniable energy and earworm vocal.

Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering the best house music previously unavailable on vinyl. This seventeenth edition collates four unmissable releases from the first half of 2023. Opening the compilation, Grammy nominated producer and Saved Records boss Nic Fanciulli revisits his Skylark alias remix of ‘SOS’ by A’Studio featuring Polina, maintaining the bouncy, rolling feel of the original and taking dancers late into the night. Next up, BBC Radio 1 Dance Future Star and one of DJ Mag's artists to watch for 2023, Parisian DJ and producer Chloé Caillet remixes a record box essential, bringing her busy French touch and disco-inspired sound to Tensnake's iconic 'Coma Cat'. On the B-Side is the humble House Master Harry Romero’s update of 'Revolution', a powerful, modern Jersey jam, layering a familiar vocal loop over tight percussion. Closing out this massive collection is the highly anticipated Defected debut from founder of esteemed Amsterdam label PIV; Prunk showcases his signature addictive grooves on ‘Keep It Simple’, with Poland based Rona Ray on vocal duties.

The sixteenth edition of Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering some of the best house music previously unavailable on vinyl. EP16 brings together four recent releases from Defected’s catalogue of world-class house. First up on the A-side is Claptone & Rune’s ‘Calabria’, a highly anticipated release from summer 2022 thanks to its warm familiarity, big rubbery bassline and brassy saxophone hook that captivated dancefloors instantly. Similarly, Jack Back’s ‘Feeling’ has a hint of noughties nostalgia, released in March of 2022 ready to sweep dancefloors with a rave-ready bass and electrifying vocal. The B-side opens with Ibiza stalwart Marco Faraone’s 2021 release ‘My Name’, featuring intoxicating vocals from Lolita Leopard; dripping with attitude. Closing out this club-focused collection is Payfone’s distinct ‘Day & Night’, featuring an orchestral approach to composition and a deep house groove that bursts in with ease.

There are few names as instantly recognisable, revered and respected in the world of dance music than Jamie Jones. This three-track vinyl release celebrates his 2022 anthem ‘My Paradise’, which quickly became one of the summer’s must-know tracks, as the Hot Creations label boss explored disco influences while his signature high-energy bassline and groove gave the heater boundless dancefloor appeal. What followed were remixes from respected exponents of contemporary electronic music that helped ‘My Paradise’ continue its clubland ascent. Brazilian superstar Vintage Culture gave the record a distinctly tougher feel, as a chugging bassline, rolling synths and melodic piano breakdowns worked together to captivate a dancefloor. Crosstown Rebels, Day Zero and Get Lost founder Damian Lazarus created an otherworldly mix that plays on the joyous disco feel of the original, while distorted synth lines and playful glitches offer a new edge to the club weapon.

‘EP10’ stays true to committing Defected’s biggest digital releases to wax, delivering an upfront package of house heat previously unavailable on vinyl. Kicking off the EP with two huge cuts, Gorgon City’s captivating, club-ready remix of Selace ‘So Hooked On Your Lovin’ opens the A-Side, before Vintage Culture’s Defected debut and Beatport #1 ‘It Is What It Is’ follows. On the B-Side Defected deliver the original version of Marco Faraone & Greeko’s hip house heater ‘Armaghetton’, as well as Janson’s huge remix to close out the package.

The seventh edition of Defected’s vinyl series continues to commit the labels’ biggest digital releases to wax, delivering upfront packages of house heat previously unavailable on vinyl. Italian duo Havoc & Lawn open up the A-Side with their Defected debut ‘Give It Up’, partnering with London vocalist Jinadu on this soulful and atmospheric club cut. Up next rising star of Defected and house music maestro OFFAIAH delivers his signature bass-driven style on ‘Soldier’. On the flip, Endor’s Defected debut and incredible smash hit ‘Pump It Up’ sets the B-Side off to an electrifying start, before the otherworldly Chicola remix of Sandy Rivera & Rae’s ‘Hide U’ rounds off this essential release from the Defected camp.

It may have won the DJ Awards Track Of The Season in Ibiza this summer, but the lasting impression left by Roberto Surace’s ‘Joys’ has stretched far beyond the island. As it topped the Shazam Ibiza Dance Chart for eleven consecutive weeks, it was also championed by heavyweight DJs like Marco Carola, Andrea Oliva, wAFF and Joseph Capriati, and made it to the Radio 1 A-List. Now this sought-after track will be available on wax, after the limited edition white label sold out before its official release. Defected label-mate and consistent hit-maker OFFAIAH’s storming Club Mix joins Roberto’s stellar original on the A-Side, while on the flip master remixer Purple Disco Machine introduces his disco-tinged grooves to the record, before house legend Todd Terry employs deep, swelling synths and an adrenaline fuelled bassline on his remix to round off this essential 12” delivery.

Named King of the Edit since the 1980’s, pioneering Manhattan DJ Danny Krivit’s (aka Mr K) latest 12” delivery instils the title bestowed upon him some 30 years ago. An esteemed selector Danny’s prolific remixing and production capabilities have touched hundreds of records – with his signature flare shaping the New York City sound.

Opening the A-Side of the release, is Danny edit this summer’s seminal track The Vision’s ‘Heaven’, interweaving a gloriously groovy bassline with Andreya Triana’s vocal to produce an extended, DJ friendly mix that he sent crowds wild with at Dekmental Festival.

On the flip, Mr K delves a little deeper into the Defected catalogue, trying his hand at The DangerFeel Newbies’ ‘What Am I Here For (Original NDATL Vocal)’. Danny’s stripped back version extends the jazzy, percussive original, as velvety smooth vocals and elegant keys bring this expressive and sophisticated release to a close. A true master of the edit, music as good as this deserves to be heard on wax.

It’s almost hard to believe that a record with anthem status like Pete Heller’s ‘Big Love’ was created out of a happy accident, but that is exactly how it happened. Left to his own devices as his studio partner Terry Farley went to watch a Chelsea game, Pete Heller was playing around with his Akai sampler when he produced what is arguably one of the most recognisable pieces of dance music of the 1990’s. Earlier this summer Urbana Records boss and Spanish powerhouse David Penn took to remixing this enduring classic. Winning over dancefloors in Ibiza and beyond with his signature rolling bassline and infectious groove, the record soaring to both Beatport and Traxsource #1. Now Defected present a special 12” package that features David’s remix, joined on the A-Side by The Dronez Remix, where house masters Erick Morillo, Harry Romero and Jose Nunez lend their classic house capabilities to the track. On the B-Side is Pete Heller’s original, sounding as incredible as ever over twenty years after its original release, once again proving the timelessness of ‘Big Love’.

Robert and Lyric Hood deliver their acclaimed fourth studio album The Master’s Plan on vinyl. This one-of-a-kind pressing features gold foiling on the sleeve and contains two transparent, red-coloured records, loaded with the remaining tracks from the LP that have not yet seen wax. Spanning 14 crafted house and techno tracks, Robert and Lyric playfully juxtapose the light and dark of their signature sound, navigating a spectrum of genres and styles on the revered body of work. The father and daughter duo demonstrate their unparalleled outlook on electronic music, operating on a divine level of blood harmony with their generational gap only strengthening their breadth of musical inspiration. From the dreamy house soundscapes of single ‘Feel It’, to features from Detroit artists Dames Brown, Earthtone and Lowell Pye, The Master’s Plan is an album with its sound deeply rooted in Floorplan’s Motor City home. With Classic remaining the duo’s home for some time since their solo debut on the imprint in 2021, it seems only right that label-mate Honey Dijon would also feature, adding her signature allure to ‘Fake & Unholy’. Described by Robert as “an invitation to eternal salvation”, Floorplan’s faith remains at the forefront of what they do, cementing this special vinyl edition of The Master’s Plan as a must-have for house and techno lovers globally.

Every once in a while a record comes along which is a little bit special, a record which stands the test of time, bringing the same reaction to the dancefloor now as it did all those years ago; ‘Don’t You Want My Love’ is one of those records. Four decades after its original release in 1979, the record has become a favourite with the Glitterbox crowds. Following on from the label’s release of the original, Glitterbox now presents a special remix package that features Joe Claussell’s 1986 Reel To Reel Edit - a disco extravaganza of a mix - and Cratebug’s house-infused and funk-laden More Love Remix.

A swelling, string-drenched slice of soulful disco, Kyoto Jazz Massive co-founder Shuya Okino’s 2011 release ‘Still In Love’ remains a hugely in-demand cut for discerning selectors, thanks to its life-affirming vocal provided by Navasha Daya and lush instrumentation. Now Glitterbox Recordings deliver a specially curated 12” package of this record box essential, as this enduring modern-day classic is given a number of re-works from dance’s A-List. This package features mixes from true DJ’s DJ The Reflex, Berlin duo Kyodai, and house legend DJ Spen, which are joined by the blissful original, illustrating the versatility of a truly special record.

Glitterbox resident Dimitri From Paris and remixing pioneer Tom Moulton present their retouched mixes of Ron Hall & The Muthafunkaz modern day soul classic ‘The Way You Love Me’ now available on 12” vinyl. Initially released in 2006, Marc Evans provides velvet-smooth vocals complimented by background harmonies and timeless disco production. For his iconic T.S.O.P. remix Dimitri From Paris enlisted the help of Salsoul Orchestra founder Vincent Montana, Jr. for fresh strings as well as a new full orchestra arrangement in his version, and here he gives it an update with his previously unreleased ‘Dim’s T.S.O.P. Version - Dimitri from Paris Glitterbox Retouch’. Tom Moulton’s retouched sweet-sounding ‘Philly Re-Grooved Remix’, previously released on Harmless in 2013, comes laden with guitar riffs, dreamy harps and xylophone for even more instrumental glory. Two disco legends come together under one stunningly soulful Glitterbox release leasing new life into this timeless record.

Ahead of a full-length album coming on Glitterbox Recordings, the king of disco re-edits Dr Packer presents the second instalment of this 12” series. ‘Different Strokes Part 2’ features four Dr Packer versions of soulful house favourites, giving a flavour of what’s to come from the LP. Kicking off with a bonafide classic, Dr Packer’s take on Soulsearcher’s ‘Can’t Get Enough!’ maintains all its most iconic elements, the euphoric vocals and timeless groove given a fresh-sounding elasticity. Next up is Dr Packer’s remix of The Shapeshifter’s evergreen ‘Lola’s Theme Recut’ appearing for the first time on vinyl. An exclusive to this vinyl release, a remix of Johnny Corporate’s ‘Sunday Shoutin’’ picks up the pace with a funking bassline to suit any dynamic disco set. Rounding off this foursome of impeccable remixes is Cleptomaniacs featuring Bryan Chambers ‘All I Do’, a vocal house classic from the early noughties, reinterpreted masterfully for today’s Glitterbox dancefloor,r which was originally featured on the label’s A Disco Hï compilation. Dr Packer has done it again, breathing new life into your most beloved dance records so you can fall in love with them all over again.

Every once in a while a record comes along which is a little bit special, a record which stands the test of time, bringing the same reaction to the dancefloor now as it did all those years ago, and ‘Don’t You Want My Love’ is one of those records. Almost four decades after its original release in 1979, the record has become a favourite with the Glitterbox crowds, creating a seminal moment at Ministry of Sound when David Morales dropped it at the party in March 2017. Now Debbie Jacob’s timeless classic lands on Glitterbox Recordings for a special vinyl package including a re-edit courtesy of disco veteran Dimitri From Paris. The spirit of disco lives on.

Fresh off the back of his Glitterbox remix of CamelPhat & Elderbrook’s hit ‘Cola’, Mousse T. drops his first original release on the Glitterbox label, showing off the depth of his production skills in this sparkling genre-binding track ‘Rock The Mic’.

Mousse T. enlists the help of artist TAZ, the man who became the first UK rapper to sign to hip hop mecca Def Jam, also earning a prestigious Ivor Novello award nomination for his writing skills. ‘Rock The Mic’ reunites Mousse with American song writer Inaya Day, best known for her unforgettable vocals on the German producer’s biggest record, ‘Horny’.

The catchy hook and toe-tapping groove of intertwine perfectly over smooth strings to make this an irresistible record. The killer collaboration combines hip hop with disco, giving us the best of both worlds. ‘Rock The Mic’ lives up to the hype, delivering six minutes of bliss alongside a percussive remix courtesy of Kon. Kon’s Accapella and Instrumental versions round off this full rocking package.

Folamour represents the present and future sounds of the disco/house hybrid, staying true to the Glitterbox sonic philosophy. His tracks share the same production values as the timeless records from classic disco imprints in the late 70s; melodies are super-tightly harmonised, instrumentation is lively and the rhythms are designed purely for dance. ‘The Power and The Blessing of Unity’ is almost a mini album, exploring all the facets of Folamour’s sophisticated house and disco tendencies. The title track sparkles with brass stabs and a textbook swinging disco beat, ‘Island Of Recent Father’ breaks things down into synthy house goodness, ‘Let’s Grab Some Smokes’ channels a more contemporary low-fi sound and bringing it home with ‘Home Beyond The Clouds’, Folamour closes with uplifting house hooks and percussion. It’s a real trip.

Ahead of a full-length album coming on Glitterbox Recordings, the king of disco re-edits Dr Packer presents four of his versions of soulful dancefloor favourites old and new, giving a flavour of what’s to come from the LP. ‘Different Strokes’ kicks off with a re-rub of the MK-produced LaTrece ‘I Want To Thank You’, itself a house cover of Alicia Myer’s soul classic from 1981. Dr Packer pulls back on the tempo, making way for keyboards that echo the vocal melody and enhanced percussion. Next, he remixes ‘Still In Love’ by Shuya Okino, a contemporary nu-disco classic with gorgeous string instrumentation and a tight guitar riff. In true Dr Packer style, his version has plenty of extra funk, fleshing out the bassline to suit a dynamic disco set. A remix of ATFC’s ‘Bad Habit’ is next, again given the effortlessly laidback, groove-laden Dr Packer treatment. Finally it’s Soul Rebel’s ‘I’ll Be Good’, a vocal house classic from the mid-noughties, reinterpreted masterfully for today’s Glitterbox dancefloor.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.

This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition! 

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York, London, Berlin and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in......

Rewind to 1997 and Uk's finest clubs are alight to the tech-house sounds emanating from South London. Terry Francis, a key figure in the scene, needs no introduction, Fabric resident, Wiggle co-founder, as well as part of the seminal Housey Doingz collective, 'Dubtown' was his first solo outing, all 4 tracks are instant classics, and the EP itself has become his most sought after release to date.

The tracks themselves are varied and brilliant, EP opener 'Hannah's House' kicks off with an infectious bass line and builds with expertly programmed percussion. Simple yet effective riffs intertwine with warm pads and deep chord stabs. 'Hannah's Dub' strips the track down, eerie synths add a tuneful swagger without ever losing dancefloor appeal. 'As You Cry' broadens the sonic palette with swinging rhythms, crisp snares and dreamy chords that deliver the peak time funk and bump. Lastly 'Reggae's House' is a deep dub infused jam, acidic 303 touches combine effortlessly with pads and stabs, whilst echoing bursts of percussion make some real tripped out musical moments.

All 4 tracks are deep winners, tweaked to maximum effect by a master of the genre. A rarity for decades now available once more. 'Dubtown' has been legitimately re-released with the full involvement of Terry Francis, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York, London, Leeds, Berlin and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in......

Following on from highly successful releases on seminal labels such as Surreal, Low Pressings and their own Geek imprint, Andy Davies & Dave Clements, aka Spincycle, unleashed 'Making Faces' on Bushwacka's legendary Oblong Imprint. Originally released in 2002, this release perfectly showcases the duo's unique take on the tech-house & garage sounds that fuelled the UK underground. Over the next 2 decades this classic would become an in demand rarity, as the eye watering discogs prices will attest, so a reissue has been long overdue.

'Making Faces' opens with infectious bongo led percussion, building with crisp hats and snares, the heavyweight bass is deep and warm, dreamy chords add to the atmosphere, before a soaring lead line that oozes with techy soul, builds and drops in all the right places. Next up, UKG inspired 'Twister' is more raw and uncompromising in its approach. Energetic swinging rhythms underpin a monstrous sub bass line to die for, as if that wasn't enough, the duo manage to add yet another rolling bass line showcasing production and programming skills of the highest order.

This is indeed a killer 12", packed with energy and heat that sounds as fresh and exciting as ever, and what's more your dancefloors will shudder!! 'Making Faces' has been legitimately re-released with the full involvement of Spincycle, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!!

What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

LOUIE VEGA ‘EXPANSIONS IN THE NYC’ IS RELEASED VIA NERVOUS RECORDS APRIL 29th 2022